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Associate Professor of Design & Innovation and Academic Director of Imperial Business Design Studio, Dr Ileana Stigliani talks creativity, empathy and design thinking
On a shelf in her office, Dr Ileana Stigliani has a box of Lego bricks. Beside it sits an award 鈥 a recognition of her innovative teaching of business 天美传媒. More than simply asking them to play with building blocks, she sends her MBA class out into the real world to teach them about the importance of empathy.
"If I had a magic wand, I would introduce more empathy into the business world,"聽she says. In one session, 天美传媒 imagine themselves blind or with a disability. They then begin to navigate South Kensington's museums in a bid to find ways to improve visitors'聽experience. From their research, they can prototype potential solutions using Lego.
This is design thinking 鈥 a driving passion of Dr Stigliani's work. This means putting yourself in your customer鈥檚 shoes to gain a deep understanding of what they need or want. It draws on a creative approach traditionally used in industrial design and lends itself to solving complex human problems. It requires deep seated empathy and it can throw up unexpected solutions. "It's not a clean, linear process,"聽she says. "It means being messy and experimental."
And it鈥檚 something she believes business 天美传媒 can鈥檛 ignore. "What can we learn from the creative process? What can we distil聽from it and apply to solve business problems? How can we learn to become more innovative?"
Touchy feely
Traditional businesses don鈥檛 typically foster empathetic engagement with customers.
"Big organisations are run on the lines of efficiency, predictability and stability. This is at odds with what being creative means."聽In her classes Ileana will point to the likes of Procter & Gamble and BMW as companies that have embraced design thinking to come up with novel approaches, services and products.
Design thinking has nothing to do with data driven analyses, efficiencies and cost cutting, and it鈥檚 not relevant for anything without a human angle, she says. One of her business 天美传媒 once told her empathy meant weakness, but most of them are eager to learn the subtleties of this "touchy feely" field. "We've gone a long way since then. But this is still something that many 天美传媒 find tough to grasp. I tell them we鈥檙e giving them a competitive advantage over 天美传媒 from other business schools."
If I had a magic wand, I would introduce more empathy into the business world.
Delving deeper into examining the creative process, her research has led her to study the emergence of service design. This spells opportunity for savvy business graduates as management consultancies scramble to acquire or build service design departments internally, run like startups. It鈥檚 a burgeoning sector and it largely began in the UK.
But what is it precisely? "Service design didn鈥檛 exist until around 2000. It鈥檚 the application of design thinking to develop new services or experiences." Good examples might include how health support services are developed to cut through the clutter to concentrate on what users need. Because the industry is so new, it lends itself to academic study. "Particularly how it鈥檚 been communicated and legitimised by pioneering players of this century."
A design for life
Design has intrigued and attracted Ileana since she was a young girl. Her mother had a great eye for good design and Ileana grew up dreaming of a career possibly in interior design, inspired by the elegant greats of Italian furniture. But in a family of accountants, she was won over by pragmatism and went on to take a business degree, which she followed up with a doctorate in management at Bocconi University in Milan.
Her research led her to a transformative year in Boston, where she shadowed an influential service and product design firm, Continuum.
She cites the agency鈥檚 founder and compatriot Gianfranco Zaccai as one of her greatest role models and mentors. "He gave me access to what became for me a career defining experience. He was aware of the potential that design could have within business."
Meditating is very important for innovation.
Sometimes her 天美传媒 are treated to talks from the pioneers and superstars of service design 鈥 the likes of Chris Downs who co-founded the UK鈥檚 first service design agency, Livework. She was overjoyed earlier this year to welcome back two of her 天美传媒 who've co-founded a design thinking consultancy. While not every business graduate will enter the field, an awareness of its importance could give them a head start.
Just as Dr Stigliani embraced the international vibe of Boston, she relishes life in London. "Life here offers many opportunities, professionally and personally. You feel you're right in the middle of things." Brexit left her heartbroken. "I initially felt rejected by the country where I've lived 鈥 and paid taxes 鈥 for the last eight years. But things haven鈥檛 changed here at Imperial, it鈥檚 still business as usual."
Being mindful
Dr Stigliani has no shortage of future research projects in mind 鈥 she is currently studying how a big oil and gas company is using design thinking to become more innovative and investigating the role of business model experimentation in strategic decision making.
A few years ago, she found the solitary pressures of academic life to be so intense she felt obliged to counterbalance it with activities that allowed her mind to switch off and unwind. "Meditating is very important for innovation. It also keeps everything manageable. It doesn't necessarily mean sitting in a chair chanting 鈥 you can meditate whilst doing the dishes or walking in a park. It鈥檚 more about being mindful."聽And it might even find its way into a design thinking module for business 天美传媒, she hints.
If there's anything she could urge her 天美传媒 to pay more attention to as they embark upon or graduate from a business degree, it's what impact they would like to have on the world. What qualities will they need beyond the doors of the Business School? "A curious, inquisitive and open mind. Being collaborative. Being able to balance empathy and intuition, but not forgetting analysis. Being open to framing failures as learning opportunities. Being comfortable with ambiguity. Not being afraid of taking risks and making mistakes."聽Qualities at the heart of every successful business creative.聽
Written by Helena Pozniak聽